Publications

Monographs

 

The performance of Italian basso continuo; style in keyboard accompaniment in the seventeenth and eighteenth centuries

Ashgate Publishing (2007)

 

http://www.ashgate.com/isbn/9780754605676

 

 

Book Contributions

 

 

... imitando l’arietta ò altro allegro cantato di fresco...’ Contribution to

Aspects of the Secular Cantata in Late Baroque Italy, ed. Michael Talbot

Ashgate Publishing (2009)

 

http://www.ashgate.com/isbn/9780754657941

 

 

Peer-Reviewed Articles

 

 Another Dimension: Integrating Music with the Medieval & Renaissance Galleries, co-authored with Stuart Frost, V&A online journal, n. 4, Summer 2012 (http://www.vam.ac.uk/content/journals/research-journal/issue-no.-4-summer-2012/another-dimension-integrating-music-with-the-medieval-and-renaissance-galleries/)

 

 

“The Listening Gallery: Integrating music with exhibitions and gallery Displays”, co-authored with Aaron Williamon, Ashley Solomon

in A Williamon, S Pretty, & R Buck eds., Proceedings of the International Symposium on Performance Science 2009, pp. 341-346, European Association of Conservatoires AEC.

 

Conferences and lectures

 

 “The Listening Gallery”, key presentation given at the AEC Early Music Platform ‘The Spirit of the Place’: historically-informed performance in historically appropriate buildings, acoustics and cultural settings, Conservatorio di Vicenza (2014)

 

“Instrument Choice in the Performance of late 18th Century Parisian Keyboard Repertoire”, talk given at the2nd ICHKM Conference: The keyboard and its role in the internationalisation of music 1600-1800, University of Edinburgh (2013)

 

The scholar-performer: Interpreting scores”, workshop in The Reflective Conservatoire conference, Guildhall School of Musica and Drama (2012)

 

“Il viaggio di un’idea musicale”, with Jennifer McRitchie, as part of the Music in Neuroscience conference, Centro Stefano Franscini, Monte Verità, Ascona (2012)

 

“Lists of players in 17th century Rome: what can they tell us about interpretation?”

Open lecture and masterclass, Britten-Pears Baroque Orchestra course Corelli and the music of 17th century Rome, with Pavlo Besnosiuk, Britten-Pears young artist programme, Aldeburgh (2011)

 

“The Listening Gallery Project”, presentation with Aaron Williamon and Joanna Norman in the Displaying Music Workshop, Research Department, V&A (2011)

 

“Another Dimension: Integrating Music with the new Renaissance Galleries” Studies in Art Lecture series, London (2010)

 

“A century of Italian keyboard music: What instruments can tell us”, Grove forum lecture recital on the harpsichord by Guerracino held in the Royal College of Music Museum (2009)