Publications

Monographs

JFIF;CREATOR: gd-jpeg v1.0 (using IJG JPEG v62), quality = 90 C     C   d" }!1AQa"q2#BR$3br %&'()*456789:CDEFGHIJSTUVWXYZcdefghijstuvwxyz w!1AQaq"2B #3Rbr $4%&'()*56789:CDEFGHIJSTUVWXYZcdefghijstuvwxyz ?集$`v񵞷s|?[O?l|Arz`o>)oq=ͽT_ kIIv086GJ XFIkoCWTfLq$9H5v?(T}eEG99彈,k @YC|Ijm%(#|n8<+t*SW]R3ٗU:gn:5"ǐ s4$>+.Xvw{I`'Gy=MKLȆOs'5xF 9xnnؼ;B[ |]U#H,OVP$WCxɯ/j464w0lEK)4|ݽT)+#|=%Vc-7nKsKk^ӵ =NXCy gO+m$pLĞ+62{g >mc[-6 n-mƨ.<חUED l=9=y^"{FIhc:LNzFãZiAJ 6G9^uK uͥFCdcMD[+ЩfVY< |xĐ^ΙMso4aY\:ϵpAא8_-ռ3>fZWݵ٤XZyvr݄5att}n>ˮs}߲u؇ {]?UFnA{{ &RJ%J>#% ""… +ȴ_ڇ%,6]V+YR 2ydJ Fx;ey9;P7&֯}.RI:hv% Qrʪ 5Ԇ/y[>ƓN=OY }j/9q{gyC^}"PeӧhZX.@#wkXExڑ[$\ikp Kޙ'%>֚{I8* # c^]|~𕏋@ߨ\hc{7{U4Be7G|g,E]jT[>oo-aQf#V+9x"pai{+?Y^ ,Af-CmI<cہ^s~^4o-n"iZl01ӀH_/˖>wd>JgeFm(t AzJuh%)EH9gö7]%Yi.ep)0 G޺Dd:5$wɮw77ccȢNȣO q[)`+i:*ȱK"9~.|ⵟ̷hc"vdH ˉ w5g ꚳ%V[n%pBf @I<n~#¾j;j3Mٟ&ERˑ;Ö/ N=l:8CH-~ʫ&65=j_]֧ZicBUʠ}Qn<5fo''u51hn9.d]pĄ 8׆tmjiz-XC.VyK)1E :xmQgum3)m;^gh> 7ga6KֺWxAoj(I#%JM"ėP}-&k54Z,~Dӹ V˽7Ǿ;{k_Ҽ)hmE YjWJȹ:F#,F_Ijo/VWզV_ۣ·LwYcR\ wn {i%c?f9<;'Tt[Sխ2λ2'Am#k7f6g3tNy/+h `b?Ѿl=:XMBkUDY, :7NF9AȯWprzW5LN&MJ>h*LnuL4(6ċwS'=w9=F:Ӛ\0N}11r#ּڵTNV4|jP1z+ ${sޱVz mEܣ(y(3rZet,WP7 A^"GÛ}&XjwMαo\^Mw%R) 6w4MREl$ FO5 ~1 unZi?#ڛ.s"hS8Hd v~Vn^i'-6J [=c\ ox7^$[{xoE;g sܹctr쇦iזIZ+K`>jK@y* A’O;H nA6>K5deՃOxm!eӵ'KՓAMb[dBە8aS/U(cMh7,3ԫ~vZη4*aJ@2#DFJrK٪M-k^|Cy;{%b{Jqo|T?|So<;."x}ѷ[n۟#FX;koX|*ï~֞VC uJi}+Go9P+^8Rr6ٸ|M}rbAcuf8 rH435^9 z7+Z&#xJ XUr텙Hʪjk<;)uȡaS}"olvDG,4.Z@+@㾉umgRuuP>y!TF1צbBtZV*Ƨ*Sz* +{/~MRյ3O[ȯ$]9g dꭁgf}}`d7 OCaTc?x^=L]3_aJ%с䎠!N*0q4+6?߇-J}k\tHjiwt.҄Ro\;+f9&2ͫj:3G51쑶irraU=r܎GuyS5pn,r}MlФ1ேz/|<5clfӜ&.䙙S}2om|-g{sZԼ#am=<,ˤK#Iiv%x9$$g!'&"j[[NKctVw7kc|sjӋ(;HQQݵ@ˍĒyٻj6!vJ r )`w HxClkO^զn<= rrc&".@IP-Iki;KτDe8ftS=/q4Ü9I>h;+AywX"{;р˳m ^}iwPy#׭sJ5o QPE4cZ(49ZҦSH6"IbD;X9mwTG7mk2H>eΑZ)b,S*dk5^[#*.$Ke+Q.&es5j喡#]m4vȠN~fh a݃u/ĩw7VƑ\"]pݨoݛ?{$SzeG&i)I'#O=>'5OOk3,P"0Wriđ9,8 bߊtİͤǨP;q\Ug*-qSGsm{o|Tc}:yqX>\s Ip<wg`0:e3ڶؕ@H GTvIs r{SY@9?i3z Np}k$(OΊGb+]L}^=N t$'yFۗ=Hr@%lu XK &Hs6+ 6}sX4$)Az!s$Beݱdz>X7"Jh ``nwZR`c̝9JMqv> Djw3$ħ{RĶ RW-fn4f98l6'88OQ'U!<0{mYd֟k.8]<_OG^;1+EZW}#%O,Uͮҽ]s4R=N|9$fj*iη=H2q坃w%'^e]MN$hv"mأ_ڪEoŴ "v#Dar~UGhN>K5s V׬rťFIY~x<ږ㧆,[SYm:EyqM(ݏx)3Kmu0B_OZ'<7;,&K̄ -^N= t&4H¬U~'V5 L]I]9A Z>ey皭vzBJ, @aLSZG>~Ͷ$ y600"p-?J.@u9E1IkOEdn|%KKx-&;Tp8Uf$Rk⟇,4E!{G1r@;V-۷d8;8xCJvz\]62B;W7 / +U6O|K#4[g oy On(NA GBGJ5&:}~MK1$"( N\$^|iҟq\Z@ :j8(ܫ2^s<%czY=X09m8=P ' >@oƀ#i'<($ZlL7Ed1M-ܐF:Ћ

 

The performance of Italian basso continuo; style in keyboard accompaniment in the seventeenth and eighteenth centuries

Ashgate Publishing (2007)

http://www.ashgate.com/isbn/9780754605676

 

“The greatest merit of this timely book is to bring together between two covers, and provide illuminating commentary on, the most important writings on the performance of the basso continuo as practised in Italian music of the seventeenth and eighteenth centuries. No continuo player, no student of Italian baroque music, will want to be without this compact, authoritative and well-balanced guide.”

Review, Michael Talbot, Emeritus Professor of Music, University of Liverpool.

 

“The abundance of lesser-known or even previously unknown sources analysed in this book is truly astonishing. That is why the author, both in her arguments and conclusions, treads unknown territory and offers unexpected answers. Giulia Nuti’s short work is a true refreshment in the recent professional literature dealing with the performance practices of Baroque and early Classical music. This is a book that cannot leave an interested reader indifferent; it is provocative and intriguing.”

Ennio Stipcevic, International review of the aesthetics and sociology of music, 40, December 2009, pp. 360-361.

 

“If mastering basso continuo performance was difficult for musicians in the 17th and 18th centuries, it is doubly so today since the oral tradition passed from teacher to student has long since been broken. Giulia Nuti’s careful and thorough explication

of period sources will thus aid both performers and scholars as they attempt to recover this subtle art. ... Nuti’s meticulous scholarly approach and sensitive ear are evident throughout her book, which makes a tangible contribution to this complex field.”

Rebecca Cypess, Early Music America, Spring 2008, pp. 61-62.

 

“This extremely valuable addition to the literature on continuo playing is much to be welcomed, particularly by performers. ... Nuti provides a great service to musicians in collecting together the source material and in giving clear examples and transparent translations, and the volume deserves careful and sustained study.”

Thomas Cooper, The Consort, Vol. 64, Summer 2008, p. 107.

 

“This is useful and attractive guidebook for harpsichordists who are either approaching the accompaniment of Italian vocal and instrumental music for the first time, or for the seasoned continuo player who might enjoy a refershing tutorial after so many years of working in a personal and reliable style. ... This book offers an overview of materials that help to inform accompanying and differentiate national styles in performance. ... The performance of Italian Basso Continuo presents its information in a clear and challenging way, answering some questions and posing many more.”

Andrew Appel, Notes, June 2008, pp. 765-766.

 

Book Contributions

 

JFIF;CREATOR: gd-jpeg v1.0 (using IJG JPEG v62), quality = 90 C     C   " }!1AQa"q2#BR$3br %&'()*456789:CDEFGHIJSTUVWXYZcdefghijstuvwxyz w!1AQaq"2B #3Rbr $4%&'()*56789:CDEFGHIJSTUVWXYZcdefghijstuvwxyz ?(?Š(((((((nI6oK6&#e#otQ"CK;OLLb'? cfoѫ5K]G՝(AF ?cgT]ڛOӯ5B>_V45P[&j\iͣߦn'h_D]jO5j B}S_Sj:euyn_x7ĚcbLۻ֚dMs=Nn^Sն{eoymj6SO:ZcwXT%(u;/g*K[77os~ƧUGJ5 lu6/4R2SiZevm?Ve.nRb[ mJ]>[i"kId[>j燵}2.o4Jb]YLP?e3:(0ֺ7"dIo0nȶnmߛn/GtCw ?ΟD h@ C|SaEgn*oU_e;wT^=Я/ZmEӵ=FǗ%UX:c\d lJ:A,|v׬;?~Լ;o{*ʊ}l;+rUUZeWݍ?GNOkUe,0DUUV^l(=G4-3[L_7Zsj"[lzz:Ι{x_ y-j蚆iE)w4_zX<6̿տx;' εiis%*Ϲnvy_7wͺATSy}g2m64G}VGRүa{1A~~Ч|BBrQ"nڟ;nk:ֿ񞷭d:mbnZ)UV_Ŀz9eֳ?^:fVuc6Wڮrv:^R+UiZޡ0>>4.P]yַLth+$ Jq|z3?'5 xM#[#絶[=NϷhe>*Nj~WDRSyݻTvm,uލ[ºca6\񦝧BT["-Wg3335'S^=)|9mh. 73ho" bmfweD.XJ}|&NJ'o˦kZĺt?BytK@X%îo-gڻUW&|Gܭ<o*[oQV*S>i =6tS3||֗UfUVϵHg&i(utimB55OȊn`tUr.m*ݦJ~ͨ\b!%+,eeJ˷tk#nV_YG'J{:boxY|;o톸zg·m\~^:uIMU숾m,_Wk:ǁ&{HNejkfswܿJ؃"&Դm.{+]Auu-nn/mh6Q*fľ)̢UfUmz5i%[Xc;'Q^[?K**O/Yv5M~YXrڧ{XȖUpvE-/,;kz\P@nmO*=Ul[//z go\K_˵_W9k[|7˽/b<m?笷>~"Exzt-L择ɣ)~෗]f+5tg>(xkG><%x@;;}>F*A?6JՔcvԩ7A#S!A{r^+o!Iv|gsJޮ_=?m[NS_2(%KMO;}&Z4ޭdwn[v՗RѮtkK '5]^X薞B]K+m̫ŻVmʻ59Z0c?o\kz&w56>m}WLtiX"ܪVTuVVv6>%k!K'1L3‘mt"YZ=tφ:Gm ߁nX ESx?W'މ~}ʴrϙLRIҕu3xT4WRwii,U? x>3f4=)+Wߺ~xRkz4t1]%l;E;#:DȌ̭v+"VRv/+.VE]vikFC'kf|3kXv6(_Vm2D_PC[}sUjV?R?UwmܻluVwԬbb\eVFu:}^&_&?++/C~|cO^RHDӅOAc-vIyݾAwygl)]%eߚ>yehFc?Yq4| OZ}FkO|G-^ ?wm=fVX]&ĭoj|MxF焦LӦ1VDIs*ڭV+mmF|]\hwagtkV_+;V_)w}#byxǛ7EΝ*};Pƅmsiw,Ǧ۫}FZ}g=wu3';}e_oOI25=k4Z:^ghW6\#^h+ϷpKxެ^Ӽ'-5yg.btGӯgfʭUC!/R{SLx{FX'VUŶ]BUJv~//`,+d/.&iї{.14U?b/wf|x/DTg>kCAE^}KmlDem~7p&uMSOe}v[k4ϻsȗswoGI㨯?,%[}"Dݱ7/VÒxIUԎB( 2j&@Geh MG9 ~xY˻l|y}Eqjem%eeJ#2"dKs.%$>,w-,Q\$^j~`_ʕW/t.^ӢQok*,ST>Y|VYSxu4&WmnNݾY'>bcqGT7ź9CX|GgSzyugn؟#%x[X^]ZuqiUfY`er4lnEV^kiJȬ{!6챝s|S-uYxKk&m)R RVoW[T{?))G^ꎛdpǢ+,#AME/-*ܳ3Uj>úG> EDԴ$@'~XQT}u [ZC/<8魬[K=_|4An-wߟ>V፝{OIJ4_k>o_k:ߌn,E%w֪y(-&mvm|4>9iŢǨxtm(v_mէ/0Pݾ4RN5k{\Uk*\m/RU,e|/OK][X}ZV$ϒVI?'}G.cς|h~/xFo~- ?Ok݅{+[oR>&kGſ Ѯo$ok,]YCk]ědmWuwOuh'&]k;A^h59m츁N>eo嬹~~޼>+6t?;AH>ʵXxŏEY$oxn|js{H;ȣ5d~"|KѬlOvV1Vj-UvNJl=q bЧi/}~ʾ(JR.]E^տ MغtxƯrhɫzucj_ 99Cbt~Tl_ʝE|iՑ_xcT!=/t~(K]]"5|[o n|9\jzgck nҦYeoW_\^(vQt뛍L7Y#YU/bTfmᧈvd _ʝÕv2?i?DԮ=6}QuH$I_mjmU|p*QxZ7^NVU~ G)bk<.i }6"{xT V>а~?ֺmtزMOᎹwƝЬG}:o.VͷQKUQ.e_dmG;9[@dI~ѵfMەY8ƳwzJtlSem~uq*^)q֭꺗m|;oᤞPഊx"1Jlo#"GߗxVXt!+8ek͛/7~d?.pv׿/6>λؚ&R}w:|q:v_x^Xv]JpȈf|mQw^Cxo;Cu|UiUmS-b|*şgկ|eC,ۭҢy;ZQ\$M܈)mJ]+V[yUSw~'3C_^NNZZ?>[u.$yZv>𾽦Zghݯ#t["SuK∴ _j|R]jE*~_?7;boa7Q^E{5ZSc֕3UY_/^3? >[^\]"ApzYV8HoʾSn;l5ǹ%Kq5g)^_6oD˹Uebx#^[_KԤΈmcG_J+ZHW_}+Qp`|l xNZ֭i1&ȸig+Dc2\˿_^\G'.wm+yFg[/n&7 >j1],)I;;XVT~jxikm|JŻSTi oi]L_rDR"fiQv- .#gy;-8KQOK<ؖD(uݵWjUh=ZZ^uPjfKKk>vvix |k𷈴]\Դ[9dѵ]"O(uYe'dξlywl}kC~ /&h>wp%ċdHY|򑶯𧛻˱'ύ߇U_ r-/Z/&Sy.ȶOݢr[^ɧIC F|4,~eWdR˟ڿA^¿ 4X=wFӍڣ`]mm$.Ʋ#+|Nevxy}sx<3kӿב?#M#wS oWfضݨZ/?|[e}"#KW->_WkTOE:}[4OCMjSDNㆿմ'U"%WEޖ]ߺo㺰5c,zΥv/^ F 443>jynkOYu),jo4R?Fd]֛/4TImknZE,A>D|=.WF;nWveՃj޳'hfQUisgr7/ngۤZ?/]>:C:u4a$;yVû~ݫkןY'iiԉ y"<[gٝwg@A7dQEY?ʿq5s>- ֎@~wm_ʯW슒]_d_K~ľߥh?WkðXj2͕Sش-'W]o_o>_j~#h 1ԟ&yvϞN_Ju]<Ҥ_'Dl?߯d??Tj;4[U ey(|Woq'eDYoj*W|.yޱg]gL~ l+V7~Euͣvtʿ'+ߟ7O>X5iٴUuȾjZ:|Zҭ26[;N->h_Okzt?ZO5%҅,uI誧J-oCW'kOJ-oCW'kHT=z%Luz_oý6IS=e[xݹ}6QI c[u \]OK0OđmDV -2.Ǟ-ĭ/oKmf%]{I*OphV+sujZ%}q,[b_v\lO>5|![; fʃ7;nٱYFi^/ppס1ek|?mex{?ۚ* KӬ &mjA3+>߷s ON ΣY[Hy vݛwTYM+6:#oDs}|ybeF)w߻m/v@|3OD&𭦷set˪3_y[~_mZ> kq? XxNޯz~]K+V.xD@e>ʎUMn}RFͣj#Z)F:,KVQ}Jߋw^gx$ZTg͂$UWU.̋n^xwo"WZKR.sgrVmp~.*ZM5=K [>z&m k.6hw_)Uʲ]JEu_u;w7\>8xQyex m5AVau˽Q/lh>e-> hlϧdKHk}Uo K?kʩ#i*UeoVXI RRҭ'٦D<_eVw[~@ Q^YZ-AmkbL6ݭgO\ATpE6lL4:˹"O&IbF܈V}j.m#[-VQE OY6,oJ[ּ`4-'Pqޭĭ[->uG]4$gQ:mI-œEqv#wɳދW!x6?b,.GZ$[S,_WY~:=?Eifot"MݻDk/۾ nymyaU]^7lMv/ݯ5;K//tE[EzTwyeR#Ͽ{7{5!^Ej$Ѝz^Ej$Ѝi*QEe:~˨iּI跖")-GZKYvduVgWz|XK]684bLmItX."uv2YWTT|q{]χ Q̕vQʟhԖ>ߴKǧZ->(xă[x^KwsWĩq-ꭓ"EPK)|6`ax6ۚ$b[򳴨Dۮ"]REҴUxc#jZfzi*j,nJNZ/x/,EYot F/jKnomeTfWxY?;k<=Dѵ/I}5Eڄ(Jm~tt_:;ˆ eۋhf[DInXVQ-{]/pt߄kIxh "zm*5r6GYc35R]CH$&wڱE]ѾE\ïo _&jo XgR+vh>XWӯs+J֍ ժt~-2}ƗϳeWZ5..[Kˋ)_gVO72K+΍-76_Pڌ|;|7t${o5ͻOe,V(vdܻ~jlSšCiǍˋ?V+8lWX_ʋyH, ͪ  .'eW(C4Kkϴ4wc+Hڨ[ξ}Ǜ%eUEoMx7Xo5 ^\ru]&YWv|eݻݻoRo$/^-^WۭLbʯf>l 2:fGu*ozG/PM.Ó p-u]'ڥh[n-± ˦HKeյ}?k5IyeT"+"_:$|vΧuj?ZZN,Rumx:˪[}/U-,V'}S'$c}_4?Y%&Ѯ-yOe+_5%Ye?Ͻv颠-<Y垩quͨG\mb.)WJ/hIx",=ʌ/Bݵ6y­>m;TмIIu{]Y?<ͥV%.>[DVY&ņ,gps̋ -8:[wiſռRĨ|n~oW7 #<Ѧ]:ޅ|5iICIyeb-,2KD&D*nREiOUw_+Dv7oP¾6.q_uJᖁy쳹T_0u5jī.]卝oXOm]F؟wmS#%]m=%I __+z;q 7mkg ]Jٴ{ؖHy]TwGtWݻk4Q3'y>2ZJena:\=n<3Jr-cDmOzhDŽe[OmuX Y`%.mTߴGߍ/X4 RGD>{8PHV+wm`쭗+GԾ)Wb|寝<[J쵋oC Ƭj dj:nWuүɻfv t/47Zo'vQ%Īm;+2 |?+[.m :0em5捥^xslf˭hzlZZR#K-̭U^??&{OP6eflm$XvF[w33uǥy!B5맥y!B5 \yCӮUݶO)خ5Wi{TKK4n>ΗE3,卢*W|Kk.4XKh/&Q J`Ye ]Uvm,^ŠH]BH๳ |' b~ye۱~WtuÍSom) CCyskwwgKUWdUTJ^s+-KUcK,|;k5孝Ǜ̿6]@>! ړ,eߥJ;74W?s-~n/q~w'?ʟ◇<-giz[ϫ]}Yւ(QkyklݽU7(t.vgWݳ;ޯ8ocHiKVMw]S*ž4ٷm>"x ֒"akhׅʏZOĭuK[)~K$Xo4پ++>]Uv?6⛯=;![;J,_#ܬbWek{⶿|3웭v[ghHc#U]c;?͵o|gҴ-GIx2]m_bo_oe_V1 ṋ\jzaeev.e].vfͬ;1hV!@7vuDKnUecwˊG3-]&j+o~_çLF}o5ƓVnUU/ h_G//i>cC7Q #?k+zᅴ۬hCf}'}>X{گ;ݯnRi4K/:(˿Sc>c11֯i/T|_9YǏԾ Pb.9̉Xk>7+:9y{[? 7}{ؒ;Ezֿg߻oZqi]iHk<>B+J.ϿZl4>? 3riT|O9_y𭿳WLL~H|&?>Qg?~-~f? 3riT|O9_٫}'4_*> ;/WGfS}~'/4o*> C7W}ϵ٫}'4o* MEGPZ\ϵ50֚?^wG43]K<XO[#=+~oydcpx6:YUYS{nl?FGٱb֚&?i 7վ<.Tq3@4GNۯ?ޏv?h\QR_J(EKxW^gDJJĪl 7ҵym{jSpAt%UOtݷۣ^<>olM:L9Ulig<z"j=;}ΕaidM6r%uKDϿr#-}vHҼ˳o}B7.<=>|j2RKͷwiM>-|=c` rEs;"#]}ug_V?QJ/iPX̗Mh,R?3?jB*}[얯~uxlu+MO[,N̳RJ2޽-)u o7zrPMK$o|7nGoZwōOHgH;KP%>(="y۷S4j²ݴVvs?%To{[/ˡksY^[IjdUL~]f_OɂyKYeOe[|˻m!}WOQ+5%kk"|՗vSyIǏ

 

... imitando l’arietta ò altro allegro cantato di fresco...’ Contribution to

Aspects of the Secular Cantata in Late Baroque Italy, ed. Michael Talbot

Ashgate Publishing (2009)

 

http://www.ashgate.com/isbn/9780754657941

 

“G. Nuti ajoute des considérations intéressantes sur la question de la notation de l’accompagnement concernant partculièrement la musique italienne.”

Alessio Ruffatti, Revue de Musicologie, T. 96, No. 2 (2010), pp. 488-490.

 

 

 

Peer-Reviewed Articles

 

 

Frost, S., Nuti, G. (2012). Another Dimension: Integrating Music with the Medieval & Renaissance Galleries. V&A online journal, 4  (http://www.vam.ac.uk/content/journals/research-journal/issue-no.-4-summer-2012/another-dimension-integrating-music-with-the-medieval-and-renaissance-galleries/)


MacRitchie, J., Nuti, G. (2015). Historical accounts of harpsichord touch with empirical measurements of the production and perception of dynamics on the 1788 Taskin. Frontiers in Cognitive Science 6:183 (http://journal.frontiersin.org/article/10.3389/fpsyg.2015.00183/abstract).

 

Nuti, G., Solomon, A., Williamon, A. (2009). The Listening Gallery: Integrating music with exhibitions and gallery displays. In A. Williamon, S. Pretty, & R. Buck (Eds.), Proceedings of the International Symposium on Performance Science 2009 (pp. 341-346). European Association of Conservatoires AEC.

Nuti, G. (2013) Giorgio Sanguinetti, The art of partimento: history, theory and practice [review article]. Il saggiatore musicale, Anno XXII, 2015, n. 1.